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January 13th, 2012

What “Like” Means

“As is always the case, the more cloudy and confused the conception conveyed by a word, with the more self assurance do people use that word, pretending that what is understood by it is so simple and clear that it is not worthwhile even to discuss what it actually means.”

Tolstoy wrote that in the very insightful book What is Art? and it applies to words such as “beautiful” and “creative” and, nowadays, “like”.

Everyone thinks they know what “like” means. But it turns out that what consumers primarily think it means and what companies think it means are different…

When consumers “like” a brand the number one thing they expect today is to be eligible for exclusive discounts and offers. This is followed closely by the ability to enter unique promotions or opportunities.

However, organizations have a different perspective. They believe that people primarily want to be heard and that they want to read news about brand and product developments.

These were the findings of a new study by the CMO Council. And they follow what IBM reported in “From Social Media to Social CRM” early last year where they graphed the social media perception gap between consumers and businesses:

(click to enlarge)

It’s not really surprising that many organizations are focusing more on chatter than they are exclusivity. Since 2007 social media consultants from all over the world have talked constantly about “the conversation” and how “engaging in the conversation” is the essence of social. But as social continues to evolve that terminology may now be a bit misguiding.

Per the CMO Council, when consumers want to converse with a company they choose six methods over social channels:

- Email: 76%

- Phone Call: 54%

- Tradeshow: 27%

- Online Form: 21%

- Offline Event: 20%

- Visit Retail Location: 19%

- Online Forums: 12%

- Brand Facebook Page: 11%

- Tweet: 8%

 

Some companies, such as Amazon, are wise to the fact that social channels are towards the bottom of the communication list. In an excellent November Wired article Jeff Bezos relayed Amazon’s approach to customer service and the social web:

“Our version of a perfect customer experience is one in which our customer doesn’t want to talk to us. Every time a customer contacts us, we see it as a defect. I’ve been saying for many, many years, people should talk to their friends, not their merchants. And so we use all of our customer service information to find the root cause of any customer contact. What went wrong? Why did that person have to call? Why aren’t they spending that time talking to their family instead of talking to us? How do we fix it?”

A terrific thing about “like” is that every organization, no matter how small, has the ability to treat their fans to special opportunities. Who’s great at that? The music industry–rock bands and their fan bases. They appreciate every single fan and it shows at every touchpoint, from their websites to whenever they win an award and thank the fans while standing on stage.

Right now consumers who “like” just assume that the organization “likes” them too. But organizations largely view it as “look at all of these people who like us.” If companies had to “like back” the relationship would probably feel different on their end.

People who like each other share things and offer things that they don’t give everyone else. Embracing that “like” is automatically reciprocated may encourage more organizations to post those unique promotions and create those exclusive offers directly to people they like. Which would help align the primary expectations of what “like” is meaning to consumers these days.

July 6th, 2011

Change is a comin’

What happens when you go from being picked first, to picked last? What do you do when you once stood on top of the mountain looking down, and are now standing on a hill peering up? Time for a change.

Pepsi, for the last few years has been pitching the idea of their Pepsi-Cola brand to be rainbows and sunshine, straying away from the sugary, carbonated sweetness that made the brand the soda giant that it is today … or wait. Is not? Last year, Pepsi sank to number three, behind Coke and Diet Coke. For the past three years, Pepsi has been focusing on positioning itself as a natural, health-conscious brand, detouring from its celebrity child, Pepsi-Cola.

Last year, the company spent 153 million on advertising (about a third of what it was spending from 2005). This year change is a comin’. The company not only has decided to shift back to its prized product, Pepsi-Cola, as the focal point of its advertising, but has also increased proposed tv advertising expenditures by 30%.

Pepsi’s new campaign is geared around the concept of “Summer Time Is Pepsi Time”, working in conjunction with large amounts of tv advertising and a sponsorship deal with X Factor. The change they have made has allowed for North America beverage sales to increase 2% in the first quarter of 2011 (WSJ).

This brings me to a book I read during my undergraduate career – The Dip by Seth Godin. If you haven’t read it yet, do so. When things are no longer producing desired outcomes and what was once thriving is no longer – a change is necessary. Most products go through a “dip”, a change in likability or favorability. As a company, a product or a service – a choice has to be made. Do you succumb to the thought, the action of not being the first choice, or do you change to get back where you want to be? Building your brand or becoming, being or maintaining the crème of the crop position is about being able to adapt and change. If something is not working – change it.

April 25th, 2011

North Of Center, No Chaser

Some brands are more than just the packaged product. A brand can evoke a place and even a state of mind. At this level, the creative process becomes more like an existential quest for meaning—a step beyond a simple logo and tagline.

When 44° North Vodka approached Drake Cooper for branding, marketing, and digital work, we quickly realized this brand raised more questions than answers. Questions like “What is Idaho about?” And even, “What is America all about?”

Part of the reason was 44° North Vodka’s origin as an independent, crafted vodka in a world of bland, mass produced spirits. Unlike most global vodka brands that are produced from neutral grain spirits, 44° North is Grown in Idaho and five column distilled, using Rocky Mountain Spring Water, Famous Idaho Potatoes (aka earth apples), Mountain Huckleberries, Rainier Cherries, and Brundage Winter Wheat.

While this sounds like a refreshing break from the mainstream, what does “Grown In Idaho” really mean? Outside of the Northwest and beyond the Famous Potato, Idaho is pretty much a blank slate. Upon further exploration, this turned out to be a good thing. People can make Idaho what they want to make of it, defining and redefining in the process. This notion is at the heart of the rugged independence of Idahoans. Coincidentally, this is the same DIY spirit that sparked 44° North’s early backpack revolution style of marketing and distribution.

This insight evolved into the North of Center brand direction. This tagline-and-more speaks to the indie mindset and the iconoclastic spirit of the Northwest. The brand identity evokes a rugged authenticity that is defiantly optimistic, wide-open and refreshingly direct.

The new brand allows 44° North to handle all avenues of communication in a unified approach, all the way from shelf-talkers to ads and from out-of-home to an engaging website complete with up-from-ordinary swag.

The results? 44° North is the number one vodka in Idaho and recognized by the Idaho Potato Commission and Idaho Preferred. Nationally, 44° North continues to gain distribution in many states, becoming the ambassador of North of Center—and all things Idaho.

As for the work, Drake Cooper recently won one Gold and two Silver Rockies at the 2011 IAF Rockie Awards. Gold for the 44° North brand materials and Silvers for the website and Distilled by Earth & Sky newspaper ad. Boo-ya.

Shout Out: Ken Wyatt, Ron Zier, Harold Joyce, Dylan Amundson, John Drake, Sean Young, Jennie Myers, Matt Stevens, Chad Connelly, Amanda Cash-Crowley, Chris Robinson of the PromoShop, and Scott Kelch.

March 24th, 2011

Fraud Prevention Illustrated

Kount Introduction Video

The threat of online and card-not-present fraud can be complicated. Imagine trying to explain how Kount’s technology stops fraud before it becomes a problem.

Kount approached Drake Cooper to create an introductory video to give potential customers insight into how Kount can not only prevent fraud, but also help them maximize sales. To accomplish this, Drake Cooper went back to the drawing board. Or should we say, the whiteboard?

The result was a three-minute whiteboard video that was shot in-house, literally. Featuring the Drake Cooper conference room and white board, the images unfold in sequence to a voice-over outlining the Kount story. The process was more involved, featuring hours of illustration and post-production magic to deliver the final, hand-drawn video.

The video has launched to huge kudos from the client, who’s already put the video in the power position on the website to help generate qualified sales leads. Check it out:

http://www.kount.com/campaigns/video

Shout out: Kount, Dennis Budell, Mona Teffeteller, Brandie Holly, Sean Young, Cale Cathey, Chris Ennis, Allen Gladfelter, Chris Vandershaaf, Joe Boren, Sound Logic.

February 28th, 2011

It’s an ad, really.

It just looks like a 3D-kinetic-paper-sculpture thingumbob. Or, Behind-The-Scenes of the Idaho Winter Campaign.

In traditional print advertising, placement is key. It’s all about reaching the right audience at the right place, at the right time. Different media outlets and publications are combined to achieve a desired reach and frequency level, and all that. That is so old school, though.

When Drake Cooper was asked by the Idaho Division of Tourism to find new ways to bring the Idaho Winter Adventure to life, we decided it was time to get off the page and get out into the real world. With the primary target of neighboring Northwest metropolitan areas, we installed a giant paper snow sculpture in one of the most heavily traveled areas, the Bellevue Square in downtown Bellevue. With a holiday foot traffic of over 120,000 shoppers a day, this opportunity proved to be a no-brainer considering that a print ad may take up to one month to reach just 400,000 impressions.


Idaho Winter "Tear It Up" Sculpture

Under the call-to-action moniker “Tear it up,” shoppers are treated to a visually arresting installation constructed by Hens & Chicks Collective as an artful reminder of Idaho’s wide-open winter escapes and jaw-dropping snow assets, and adventure possibilities.

(This is the trailer for the Tear It Up Installation. The making-of-video is even more awesome, with behind-the-scenes look at how Hens & Chicks Collective work.)

At several kiosks on site, visitors were prompted to visit the Idaho Winter website every week in order to enter to win a series of impressive prize packages in any of Idahoʼs deluxe key resort destinations. Even Jake Moe, co-founder of Powder Magazine, was on hand to answer questions about Idaho snow. Visitors to the website could check out current powder conditions, learn about other Idaho resorts, watch the behind the scenes video on the massive snow sculpture, and share with friends via Facebook and Twitter.

Call it luck, or some insider strategery, the installation launched just 50 yards from the grand opening of the Bellevue Square Microsoft Store. This event drew large crowds and long lines along with Microsoft CEO Steve Ballmer and celebs like Apolo Anton Ohno, Dave Mathews Band, and Miley Cyrus. This flips the idea of distribution—the audience comes to us.

One further nod to Microsoft was the integration of Microsoft Tag technology for the QR codes on the display. This allowed people to access the Idaho winter website by simply using their mobile devices to snap an image of the code, go online, and enter the contest.

Idaho Winter Website

The results? With over 21,000 website visitors, 11,000+ sweepstakes entries, 6,119 partner opt-ins, 20 promotional offers (both online and at Bellevue Square)—the winter installation “ad” thingumbob is going strong.

High-Fives to all the suppliers and partners that donated over $30,000 in prizes.

Shout-Out: Idaho Division of Tourism, Idaho Film Office, Ski Idaho, Sun Valley Resort, Brundage, Schweitzer, Grand Targhee, Horizon Air, Smith Optics, EpicQuest, Kemper Development Company, Vision Marketing, Kira, Sara, and Shannon with Hens & Chicks Artist Collective, Mitch Mattraw with Cabfare productions, Lisa Gerber, Jennie Myers, Joe Quatrone, Josh Mercaldo, Justin Yonk, Lindsay Shumate, Amanda Cash-Crowley.

February 18th, 2011

The Earth, Air, and Water Upgrade

Big Bear Lake Resort Branding and Website

Big Bear Lake is Southern California’s only true four-season mountain resort, located 100 miles northeast of Los Angeles. The area has a seven mile long lake with fishing and water sports in the summer. It also has two full-service ski resorts in the winter—Snow Summit and Bear Mountain. The 200-member Resort Association, consisting of lodges, hotels, ski resorts, marinas and restaurants, enlisted Drake Cooper to help ramp-up marketing efforts to attract visitors to the Big Bear Lake region. This included not only a website redesign but a cohesive brand upgrade.

The new brand identity for Big Bear was launched under the thematic “Live It. Up.” This direction inspires and motivates outdoor enthusiasts to reap the benefits of an all-season escape out of SoCal city doldrums for some full-on fun.

For the brand, Drake Cooper created an identity scheme inspired by various National Forest trail signs at Big Bear Lake. The key elements of the logo include a newly revised “bear” icon, along with the brand designation “Mountain Lake Escape” which describes the heart of the brand.  A modular identity system was created which allows for versatility to change out the icon in the shield, to help communicate certain activities or marketing objectives.

The website was redesigned, shifting to a more member-focused functionality based around individual detail pages for each of the association members. Coupled with an SEO revamp, a custom-built, easy-to-use Content Management System (CMS) was developed so the members can easily update content, events, maps, alerts, banner ads, and much more.

The new brand identity and website launched mid-February to rave reviews from Big Bear Resort Association and site visitors.

See for yourself: www.bigbear.com

Shout-Outs: Bill Drake, Mona Teffeteller, Chad Connally, Josh Mcdannel, Justin Yonk, Heidy Agalsoff, Dennis Budell, Joe Quatrone, Amanda Cash-Crowley, Dave Casey, Joe Boren, Javier Barrera, and Gummibear.

January 10th, 2011

BEND KNEES WHEN LIFTING:: Brandbuilding for Bodybuilding.com

Bodybuilding is about results. At least that’s what all the trade pubs tell you with all the tanned and oiled hypertrophic muscle fetishizing going on. What’s lost is all the willpower, agony, and repetition that goes into transforming one’s body.

Bodybuilding.com approached Drake Cooper to help launch a key initiative through a national print campaign. A key challenge was to help grow Bodybuilding.com’s customer base without alienating its core audience, the competing bodybuilder.

Besides being the largest online sports nutrition company, Bodybuilding.com has really built its success by celebrating the bodybuilder. One aspect of this has been fostering a large, networked community called BodySpace on the site. Here, over 650,000 people connect, sharing workout tips and nutrition regimens. But it doesn’t stop there, the Bodybuilding.com site puts its people front and center by featuring their transformation stories online.

Spending some time reading the transformation stories, it becomes apparent that many Bodybuilders are everyday people overcoming amazing challenges to get into optimum health. It becomes clear that what is really transformed is not just the physical, but all aspects of life.

This motivation is what bodybuilders bring to the gym and when it comes right down to it, this willpower is found right there in every rep. It’s this insight that led to the brand idea of “LIFT LIFE.” This direction allowed the ad campaign to tap into and celebrate the LIFT LIFE, speaking to all audiences—from hardcore bodybuilders, gym junkies, athletes, active exercisers, and the emerging MMA crowd.

Little Black Dress

The LIFT LIFE gives voice to the willpower that says: “Lift, press, curl, pull until you can’t do one more rep. And then do one more rep. Half-hearted is half-crazy. Don’t show up, just to give up.”

Each ad features BodySpace and Bodybuilding.com bodybuilders in real-life environments. The stunning photography of Andy Anderson captured the LIFT LIFE story across all segments from compelling transformations to the competitive core crowd of bodybuilders.

Raising The Bar

The immediate feedback from the Bodybuilding.com community has been overwhelmingly positive and reconfirms the core purpose of the Bodybuilding.com brand—to inspire and celebrate everyone who lives the LIFT LIFE.

Look for the ads in major national publications like Shape, GQ, Men’s Fitness, Oxygen, Muscle & Fitness Hers, Flex, Playboy, UFC, and more. For more of the ads in the series, see Andy Anderson’s featured portfolio on LIFT LIFE.

Big Ups to our real-life, LIFT LIFE Models: Jamie Eason, Christina Vargas, Ashley Schutz, Sean Sarantos, Kizzito Ejam, Parker Cote.

Shout Out: Ryan DeLuca, Tanya Vaughan, Jennifer Hetherington, Andy Anderson, Michael Perez, Jennifer Diehl, Cindy Whitehead, Jennie Myers, Dylan Amundson, Sean Young, Karma Jones, Joe Quatrone, Dennis Budell.

November 15th, 2010

What’s in a name? Another name.

Simplot Custom Foods Branding and Messaging

In the business-to-business side of the food industry, what goes into building a strong brand is all about putting other brands first.

As a division of J.R. Simplot Corporation, Simplot Custom Foods is riding on an 87-year legacy of building some of the largest restaurant brands. While Simplot is mostly famous for perfecting french fries and potatoes for thousands of restaurants, they’re a new player in private label retail and consumer packaging goods.

Drake Cooper was tapped to help establish Simplot Custom Foods as a “one-stop frozen food megastore” for buyers for supermarkets and national brands. Not only could they offer hundreds of vegetable blends, potato products, meals, sandwiches, and bowls in over 200 configurations—Simplot Custom Foods also provides extensive packaging capabilities, R&D resources, and a widespread, already-in-place distribution network.

While this is all good, hurling around statistics and logistics was only going to add to the clutter in this competitive set. The goal was to create a brand identity and messaging that put the retail customer and buyer first.

The messaging articulated the key insight in a simple new tag, “The Goods Behind Your Good Name.” This simple statement speaks to the business reality of being able to provide frozen food of such a high caliber that any brand would be proud to put its name on the label. Think of it as the matryoshka-doll brand strategy, where all the good things are on the inside.

The new messaging, brand identity, multi-quad tradeshow booth, and trade ad were unveiled to the public at the annual Private Label Manufacturers Association (PLMA) show on November 12th in Chicago.


And to pull it all together, a new website designed and launched during the tradeshow: www.simplotcustomfoods.com

Congratulations and thanks to Simplot Custom Foods.
Shout-out: Mona Teffeteller, John Drake, Jennie Myers, Sean D. Young, Chad Connally, Karma Jones, Amanda Cash-Crowley.

October 29th, 2010

“steal” this identity

Drake Cooper ID Featured In Design Collection

All of us at Drake Cooper were more-than-pleasantly surprised to see our Drake Cooper business card design featured in 1000 More Graphic Elements from Rockport Publishers. This collection authored by The Grant Design Collaborative features a wide variety of printed pieces using “unique finishes and materials” that “create a viewer experience and transform a printed piece into a gift waiting to be opened.” The thousand pieces featured elements such as unique printing materials, graphic embellishments, manipulated surfaces, bindings, and more.

The Drake Cooper business card design consists of printed shells of super-thick 140 pound Panache smooth white stock with a simple logo with spot foil. The contact for each employee is then hand stamped by each employee, as-needed, using a metallic ink pad. This approach allows for branding that communicates Drake Cooper’s indie attitude with one-of-a-kind cards.

Big thanks to The Grant Design Collaborative and big kudos to Jennie Myers, Karma Jones, and Bindery Services, Inc.

Drake Cooper in 1000 More Graphic Elements

Hey us, it's we.

Order 1000 More Graphic Elements here.

July 9th, 2010

LeBrand

This post is a follow-up to what I wrote yesterday about ESPN’s insanely hyped-up hour-long “special” on LeBron’s big decision.

While I am a sports enthusiast, I admit there are countless more dire issues to tend to in our world right now. (Hey – have they plugged that oil leak in the Gulf yet?) But – this was an interesting ‘event’ that touched on so many issues in the advertising/marketing/media industry.

I want to share a couple of posthumous thoughts about LeBrand, LeBron James, Cleveland (the city), ESPN, and the ‘supporters’ of last night’s ESPN special - and how marketing and a local economy are all intertwined in this distasteful mess.

1. LeBrand. Whoever is working behind the scenes to promote the “King James” brand certainly did an efficient job building up the hype to last nights TV special. For a week, ESPN spokespeople reiterated that there has never been anything like the press conference/interview we were all about to watch. Never before had one pro NBA player’s decision to further his career with another team been so crucial, so intense, so drawn-out. But that’s because King James is unprecedented, adjective, adjective, and adjective. Hype hype hype. LeBrand has been created, hyped, and positioned very well.

2. LeBron. If you watched the program last night, and you saw the 25 year-old professional athlete walk into the oddly lit gym in the middle of Ohio, wearing jeans, Timberland boots, and a plaid button-up shirt, and then heard him interject a million “uhms” into the answers he gave to the softball questions he was tossed, you likely realized that LeBrand is indeed a lot of hype, and LeBron James is just a dude. Sure, he plays a sport really, really well. But he’s also simply a person. Neither advertisers, sponsors, ESPN, or LeBron himself should pretend he’s anything more than that. (Why? Because when advertisers and the masses start treating their sports stars like they’re superhuman gods, well, the results look like Tiger Woods. That’s why.)

3. Cleveland. While LeBron/LeBrand was certainly a revenue generator for the city of Cleveland and the Cavaliers franchise, the city/state have a lot more to worry about than one arguably narcissistic pro athlete and the revenue his brand brings in. Cleveland and the Cavaliers simply need to rebuild – their team and their local economy – on resources more stable than one human being’s athletic skills.

Not that it truly helps/hurts Cleveland’s economy, but LeBron could have done his home state a favor and held a more tasteful, less-hyped/less painful press conference to announce his departure. But he didn’t, which leads me to point 4.

4. The Sponsors. I felt like last night’s hour-long ESPN special was entirely created by the “sponsors”. The show was dubbed “The Decision” and sponsored by Bing, the decision engine. Vitamin Water at one point presented itself as “The Decision Water.” Pretty blatant.

I wondered if the show was entirely the sponsors’ idea. Did LeBron have any doubts about going along with the program, and thus dragging his home state through the proverbial mud? Or did he have to, to maintain contracts?

Did the entire production result in positive exposure for LeBrand and sponsors like Bing and Vitamin Water?

I have my own opinions – but would rather hear what others think. Do you think it’s ethical as an advertiser to create content and news events like this? Do you think ESPN was right to allow it? What do you think about LeBrand? Did last night’s media event hurt LeBron’s LeBrand?

Sound off – share your thoughts.